the echo and echoplex

Zizek is about emerging Hip Hop, Dancehall, Cumbia, and Reggaetón sounds and their respective variations: Grime, Crunk, Bastard Pop and Mashups. The idea is to give these styles, ideas and rhythms an Argentine touch, with the aim of putting Buenos Aires on the map of the global music scene.
The star of Zizek has been Cumbia, a Latin American sound born from the fusion of old and new worlds in Colombia that has been long looked down on as dance music for the lower classes in Argentina. Its distinctly syncretic roots promote robust adaptability and cumbia is being transformed by avant-garde musicians and producers from the USA all the way down to Argentina. Diplo has become an avid supporter of the collective and the party has made fans of The Wire, DJ Rupture and The New York Times. XLR8R christened Zizek “the city’s unofficial cumbia clubhouse.”
Zizek plays host to live shows performed by local MCs, producers, composers and DJs and is bringing it’s collective to North America and SXSW this March. The Zizek tour allows us to witness the evolution of the hottest party in Argentina to full-fledged, multi-faceted movement.

10pm / $12 / 18+

Rickie Lee Jones || Listen

What a long, strange trip Rickie Lee Jones has been on since running away to Hollywood in 1973, palling around with Tom Waits and Chuck E. Weiss, and releasing her self-titled album in 1979. She’s transformed herself from a fairly straightforward Joni Mitchell-style folk-pop singer into a multilayered, jazzy chanteuse, and her 2006 CD, The Sermon on Exposition Boulevard (New West), is her most ambitious (and, arguably, satisfying) work to date. The album is based on her producer Lee Cantelon’s book The Word, which tries to take a fresh look at the story of Jesus Christ. Sermon isn’t a dogmatic attempt to convert unbelievers so much as it’s an engrossing journey through various personas and disguises, such as the symbolic visitation “Elvis Cadillac.” Jones is utterly mesmerizing on the enigmatic “Tried to Be a Man,” where her breathy vocals are draped over murky, bluesy chords, and “Nobody Knows My Name,” which chugs along with a shimmering Velvet Underground intensity. - LA Weekly

with:
Petra Hayden || Listen
Lili Hayden || Listen
Rob Wasserman || Listen
& More

8pm / $25 seated and $20 standing room only, $27 and $22 dos / all ages

First Fridays - Dinner, Discussion, Music & More

with:
WHY? || Listen
Yacht || Listen

plus Dub Lab DJs:
Ale
MatthewDavid

@ Natural History Museum
900 Exposition Boulevard
Los Angeles, CA 90007

FMI: http://www.nhm.org/firstfridays/

5:30pm - Tour
6:30pm - Discussion
8:00pm - Music

5pm / Adult $9, students (w. ID) $6.50, Members FREE / All Ages

The Ting Tings || Listen || Watch

Principal amongst these purveyors of cheap thrills are Salford’s Ting Tings, comprising singer Katie White and drummer Jules De Martino. If last year’s limited release ‘Fruit Machine’ saw them set out their stall as a sardonic LCD Soundsystem, ‘Great DJ’ stakes an almighty claim to be the year’s first lo-fi dancefloor smash.

The elements are all there. Scratchy, Peaches-esque guitar riff? Check. Chorus you’d still be humming after a week in Glasgow with Gallows? Check. Mischievous sense of pop as sonic thrift shop? Check! At its beating heart, peroxide philosopher Katie: “Folks got high at quarter to five/Don’t you feel you’re growing up undone?” she intones cryptically, before gabbling something about “The local DJ” having “some songs to play”.

At which point Jules triggers the sound of a thousand boxes being hit by a jackhammer and we’re at a chorus that’ll unleash dancefloor serotonin worldwide: “Imagine all the girls/Ah-ah-ah-ah/And the boys/Ah-ah-ah-ah/And the drums/The drums!” Think of a mash up of CSS, The Waitresses and Le Tigre re-interpreting Indeep’s ‘Last Night A DJ Saved My Life’ and you’re almost there. - NME

with:
DJ Paul V. (Bootie, Neon Noise/Indie 103.1)

@ Rec Center Studio
1161 Logan
Los Angeles, CA 90026

8:30pm / $10 / 18+

Death To Anders || Listen

The four members of Death to Anders’ intelligent utilization of a satirically invigorating story-led lyrical delivery provides for an entertaining scope into the modernistic age we are all familiar with. One can easily hear shades of Isaac Brock and Stephen Malkmus in vocalist Rob Danson’s delivery, with his range impressively stretching from moments of squealing intensity to subdued murmurs of sincere ardency. This is done over an equally impressive instrumental approach, with a wide array of guitars, keys, strings, and an exceptionally tight rhythm section. - Obscure Sound

with:
The Karabal Nightlife || Listen
Thailand
Michael Compton

8:30pm / FREE for 21+, $5 for under 21 / 18+

The Felice Brothers

A band of (mostly) actual brothers from the Catskills, there’s a raw and unfinished sound to their storytelling brand of folk-americana. I find that as you sit with them, the colors of their music start to come out in a warm rich burn, like a campfire at 2am. Very few artists write stories like this anymore, except for folks like Ray LaMontagne or the Hold Steady, in very different sounding ways.

Their vivid music is populated by characters with names like Long-Legged Brenda and take the listener along on all kinds of wild narratives that echo Dylan in their complexity and seeming unsingability. - I Am Fuel, You Are Friends

with:
Justin Townes Earle
McCarthy Trenching || Listen

8:30pm / $10 / 18+

Cut Copy || Listen || Watch

Cut Copy is finally releasing a follow-up to 2004’s Bright Like Neon Love. The forthcoming In Ghost Colours finds the Melbourne, Australia-based trio as heavily influenced by the sounds of the ’80s as ever, as well as working under the watchful eye of Tim Goldsworthy, who produced the album. Its lead single, “Lights & Music,” is so heavy on the pounding synths and epic breakdowns it’s almost possible see the neon lights flashing around a dancefloor upon hearing the track. - XLR8R

with:
Walter Meego || Listen || Watch
DJ Paul V.

8:30pm / $10 / 18+

12pm-5pm / $5 / All Ages

Bon Iver || Listen || Watch

Vernon’s multi-tracked falsetto is the element that jumps out right away since it’s all over For Emma’s nine songs, but don’t make the mistake of throwing him in the freak-folk clubhouse with Devendra Banhart and the like. At their core, songs like “The Wolves (Act I and II)” and “Re: Stacks” are as straightforward and pretty as Sam Beam’s Iron and Wine creations, if they were sung by TV on the Radio’s soulful Tunde Adubimpe. Instrumentally, Vernon’s guitar is his main partner in chime, with horns and clattery percussion making guest spots. Listening to these songs, it’s easy to picture Vernon crouching on the cabin’s roaring hearth, strumming and trying to ward off the chills from an environment where below zero is a way of life. - Spin.com

with:
Phosphorescent || Watch
Winter Hinterland || Listen

8:30pm / $10 / 18+

Born Ruffians || Listen || Watch || MP3

Warp-signed Canadian yelpers Born Ruffians sound positively ecstatic on this track from their debut album, Red, Yellow and Blue. On an eponymous EP last year, Luke LaLonde sang from deep inside Black Francis’ titanic shadow, his warbling eruptions tied to a familiar desperate strumming. Recast in a sunny context and distributed judiciously amid more conventionally tuneful singing, his outbursts seem more like the product of actual excitement and less like art-rock posing. That feeling is complicated by lyrics that are actually a tangled mess of self-doubt. All the gang shouts and playful piano rolls are like sonic prozac, evening out the distress. - Prefix Magazine

with:

Cadence Weapon || Listen || Watch
Rumspringa

8:30pm / $10 / 18+

with:
Die! Die! Die! || Listen
My Best Fiend || Listen
Rainbow Arabia

Plus resident DJs spinning the best in Brit / Indie / Soul / Twee / Madchester / Punk / Glam

FMI: ClubUnderground.net

9pm / $8 til 11pm, then $5 if 21+, $7 under 21 / 18+

Acid Mothers Temple || LISTEN || WATCH

It feels like mere months– if not weeks– since we’ve last heard from Makoto Kawabata and his psych-rock juggernaut Acid Mothers Temple, and yet Have You Ever Seen the Other Side of the Sky? also qualifies as something of a comeback. The album marks the return of the Melting Paraiso U.F.O. ensemble from a yearlong hiatus, an interval that probably seems more like a decade on Kawabata’s busy calendar. During that time Kawabata kept himself occupied by touring and recording with his newly launched heavy-rock combo the Cosmic Inferno and collaborating with the kindred spirits of Afrirampo, while also providing himself steady work as a solo artist and who-knows-what-other communal activities.

From an outsider’s perspective the distinction between Kawabata’s various groups can seem pretty much academic, since they have each undergone continuous personnel shifts and they all direct their flightpaths towards the same general regions of interstellar lunacy. Nevertheless, there seems to be a special level of expansive, full-throttle improvisation that Kawabata is only able to fully achieve with the Melting Paraiso U.F.O. at his back, and Have You Seen the Other Side of the Sky? rockets him right back into this fertile zone. - Pitchfork

with:
Danava

9pm / $14 dos / 18+

These are Powers || Listen

Screaming like a banshee out of Brooklyn and Chicago, These Are Powers play noisy, crunching, metal-on-metal post-punk that the band members call “ghost-punk”. A couple of lumbering bass notes, some shrill, skronky guitar squeaks, and the alternately pummeling and clattering drums whir in lockstep through what sounds like a haunted, abandoned factory building (or shop class). These Are Powers are a three-piece, with two lead vocalists– guitarist Anna Barie and “prepared bass” guitarist (that explains the “metal-on-metal”, then!) Pat Noecker– backed by drummer Bill Salas. - Pitchfork

with:
All Neon Like
Bob Bruno

8:30pm / $8 / 18+

The Chapin Sisters || Listen

The Chapin Sisters stand onstage at Tangier in Los Feliz, each in a shimmering gold dress that calls to mind Ginger from Gilligan’s Island. Jessica, the oldest, is in a mini dress; Abigail’s empire-waisted gown goes down to her ankles; and Lily, the youngest, wears a long, gold knife-pleated skirt and sleeveless top in gold-and-black brocade. They kick off their set with a three-part harmony version of Culture Club’s “Do You Really Want to Hurt Me?” In their confident, skilled voices, the song’s question sounds almost like a challenge. When they sing the song “I Don’t Love You,” it’s neither eat your heart out, or crying over you — it puts the power, and the intended’s heart, firmly in the hands of the woman. “Girlfriend” has all the venom of Alanis Morissette’s “You Oughta Know,” but the Chapin Sisters coat their message in the butter cream of their melodies. - LA Weekly

with:
I See Hawks in LA || Listen
Moris Tepper || Listen

8:30pm / FREE / 21+

The Chapin Sisters || Listen

The Chapin Sisters stand onstage at Tangier in Los Feliz, each in a shimmering gold dress that calls to mind Ginger from Gilligan’s Island. Jessica, the oldest, is in a mini dress; Abigail’s empire-waisted gown goes down to her ankles; and Lily, the youngest, wears a long, gold knife-pleated skirt and sleeveless top in gold-and-black brocade. They kick off their set with a three-part harmony version of Culture Club’s “Do You Really Want to Hurt Me?” In their confident, skilled voices, the song’s question sounds almost like a challenge. When they sing the song “I Don’t Love You,” it’s neither eat your heart out, or crying over you — it puts the power, and the intended’s heart, firmly in the hands of the woman. “Girlfriend” has all the venom of Alanis Morissette’s “You Oughta Know,” but the Chapin Sisters coat their message in the butter cream of their melodies. - LA Weekly

with:
Glasser with Body City
Early Dolphins || Listen
Clue To Kahlo

8:30pm / FREE / 21+

The Chapin Sisters || Listen

The Chapin Sisters stand onstage at Tangier in Los Feliz, each in a shimmering gold dress that calls to mind Ginger from Gilligan’s Island. Jessica, the oldest, is in a mini dress; Abigail’s empire-waisted gown goes down to her ankles; and Lily, the youngest, wears a long, gold knife-pleated skirt and sleeveless top in gold-and-black brocade. They kick off their set with a three-part harmony version of Culture Club’s “Do You Really Want to Hurt Me?” In their confident, skilled voices, the song’s question sounds almost like a challenge. When they sing the song “I Don’t Love You,” it’s neither eat your heart out, or crying over you — it puts the power, and the intended’s heart, firmly in the hands of the woman. “Girlfriend” has all the venom of Alanis Morissette’s “You Oughta Know,” but the Chapin Sisters coat their message in the butter cream of their melodies. - LA Weekly

with:
Summer Darling || Listen
Billionaires
Love Grenades

8:30pm / FREE / 21+

The Chapin Sisters || Listen

The Chapin Sisters stand onstage at Tangier in Los Feliz, each in a shimmering gold dress that calls to mind Ginger from Gilligan’s Island. Jessica, the oldest, is in a mini dress; Abigail’s empire-waisted gown goes down to her ankles; and Lily, the youngest, wears a long, gold knife-pleated skirt and sleeveless top in gold-and-black brocade. They kick off their set with a three-part harmony version of Culture Club’s “Do You Really Want to Hurt Me?” In their confident, skilled voices, the song’s question sounds almost like a challenge. When they sing the song “I Don’t Love You,” it’s neither eat your heart out, or crying over you — it puts the power, and the intended’s heart, firmly in the hands of the woman. “Girlfriend” has all the venom of Alanis Morissette’s “You Oughta Know,” but the Chapin Sisters coat their message in the butter cream of their melodies. - LA Weekly

with:
Gemma Hayes || Listen
Blanket

8:30pm / FREE / 21+

DJ Funk (Dancemania - Chicago)

What words can describe the one and only DJ Funk? Pioneer? Party Rocker? Ghetto House icon? DJ Funk grew up on the musically rich West Side of Chicago where he was exposed at an early age to Chicago, New York, and Detroit dance music. Mixing House, Techno and Hip-Hop, DJ Funk pioneered the “Ghetto House” sound and this sense of crossing boundaries has made his music so appealing and enduring to many people across different music scenes. DJing professionally for over a decade, DJ Funk has produced anthem after anthem of bouncing “Ass & Titty” dance music for his very own record company, Dancemania Records. Funk’s remix resumé reads like the who’s who of dance music: Basement Jaxx, Justice, DJ Sneak, and Fast Eddie just to name a few. With his remix of Justice’s indie-club hit “Water’s of Nazareth” a whole new generation of fans are finding out what DJ Funk is all about…

DJ Sega (Maddecent / Ol Head - Philly)

“The Black Knight” DJ Sega, is the master of the Philly Club or “Party Music” sound. The baby faced assassin has spent the last few years providing the backbeat for an entire generation of youngsters who come to worship his hundreds of remixes every weekend at Jamz Roller Rink in North Philadelphia. Now the secret is out, and the rest of the world is taking notice. He’s currently making waves with his heavy metal remix stylings as heard on the Hollertronix 8 ep on Diplo’s Mad Decent label. Also on tap are releases on his own Ol’ Head Records imprint from Baltimore rapper Mz Streamz, and New Jersey based production outfit, Brick Bandits, of which he is also a member. His ultimate goal is to save hip hop, one remix at a time.

plus DJs:
Dark Alley (Ass & Titties)
Blu Jemz (Money Studies)
Pube$ (Dance Right)

@ Echoplex
Enter at
1154 Glendale Blvd
Los Angeles, CA 90026

9pm / $10 adv, $15 dos / 18+

Twilight Sleep || Listen

Twilight Sleep blew me away this time with a batch of tunes from their upcoming EP “Race To The Bottom of The Sea”. Tracy Marcellino (Vocals/Keyboards) seduced the audience with her sultry voice as the keyboards laid you down into a literal twilight sleep. “Broken Record” was one of the new songs that was absolutely hypnotic with percolating synths and dreamy delayed guitars.
“Don’t Fire Your Guns” was a faster paced song with slightly overdriven guitars countered by cloud like synth lines. Twilight Sleep will be having an EP release party at the Echo on March 6th. I recommend that you swing by and pick it up. - Amateur Chemist

with:
Restaurant
Karin Tatoyan || Listen

and DJ Todd Clifford (of Sea Level Fame)

8:30pm / FREE / 21+

Atlas Sound || Listen

Cox plays and sings in Atlanta five-piece Deerhunter, but it’s tempting to say he actually lives as Atlas Sound. He’s used the name for his solo recordings ever since the sixth grade, and lately his output has been almost nonstop: He’s posted roughly 70 new tracks, mostly originals, on his blog since last July. Deerhunter’s Cryptograms and Fluorescent Grey EP expertly brought together elements of krautrock, psych, shoegaze, ambient, post-punk, and indie rock, but Atlas Sound’s full-length debut turns inward from that band’s high-volume squall. Cox also trades the four-track of previous Atlas Sound vinyl splits for a laptop. The result is a gauzy bedroom pop album that drifts from ambient bliss-outs to sadsack avant-garage, from hospitals to heartache, as if passing through different stages of sleep on a sunny afternoon. No previous interest in Deerhunter required. - Pitchfork

with:
Valet || Listen
White Rainbow || Listen

8:30pm / $10 / 18+

Gil Mantera’s Party Dream || Listen

The debut release by Gil Mantera’s Party Dream, Bloodsongs, is one of those rare recordings that manage to be both retro and modern at the same time. The electronic drumbeats sound like something out of a modern-day dance club, while if you spliced the synths and vocals away from the rest of the sonic stew, you could be fooled into thinking that it was straight out of new wave’s early-’80s glory days. Hailing from Youngstown, OH, Gil Mantera’s Party Dream is a duo of multi-instrumental brothers, Gil Mantera (programming, keyboards, bass) and Ultimate Donny (vocals, guitar), who split the songwriting duties straight down the middle. - Allmusic

with:
Mahjonng
Lucy and The Popsonics

plus DJs:
Franki Chan
Paparazzi

9pm / $10 / 18+

Beach House || Listen

The delicate, languid, minimalist pop of Baltimore duo Beach House’s Devotion is a glimmering dream. These love songs creep forward in bossa nova rhythms and even meters like they’re chasing after a slowly receding tide. Victoria Legrand sings in a cave-echoed voice that bridges between a sort of one-room-over ethereality and a pungent melody, gliding over the mix (drums, piano, and organ, mostly) like a low-hanging cloud, stretching her words into near incomprehensibility. Her high, breathy peaks on “Turtle” are charmingly imperfect, while “Gila”’s slide guitar dances with her voice like a returned lover, hopelessly devoted. - XLR8R

with:
Papercuts || Listen

8pm / $12 / All Ages

Bobby Matos & his Afro Latin Jazz Ensemble || Listen

“…an excellent fusion of Latin and African genres, with some of the best bilingual swingers from either world demonstrating how effective the glue of jazz can be”
- Harvey Siders, Jazz Times March 2006

with:
Nathan Nice and Friends

plus readings from:
–John Tottenham reading from “The Inertia Variations”
–Denise Hamilton, author of Prisoner of Memory” and the upcoming “Last Embrace”
–Andrea Portes reading from Hick
–Richard Lange reading from Dead Boys Stories

Wine tasting, silent auction, book sale, music and more!

5pm / $20 ELFS members, $30 nonmembers, $10 under 21 years of age / all ages

Red Sparowes || Listen

Red Sparowes’ slow-burning recipe of quiet-through-loud is anything but original, but the way the ingriedients blend is totally unique and gradually bewildering. It’s obvious that some ideas - the burning walls of guitars and the insistence of clear melody even in chaos - have been taken from the band member’s other projects (including Isis, Neurosis and Halifax Pier), but everyone brings something fresh to the table, and it is this that sets Red Sparowes so high above the rest of the post-rock crowd. This is claustrophobic, driving instrumental music that will appeal as much to fans of Henryk Gorecki, Godspeed You! Black Emperor and Ennio Morricone as it will fans of those parenthesis-ed parent bands.

It is almost impossible to carve a niche in a genre as restrictive as post-rock, but with their Heaven-sent melodies and their plunging riffs of brimstone, Red Sparowes have drilled a planet-sized chasm. - Drowned in Sound

with:
Russian Circles || Listen
Holloys

@ Echoplex
Enter at
1152 Glendale Blvd
Los Angeles, CA 90027

8:30pm / $12 / 18+

with Resident DJs:
Tom Chasteen
Roy Corderoy
The Dungeonmaster
Boss Harmony

Spinning the best in classic reggae, dub and dancehall

@ Echoplex
1154 Glendale Blvd
(Main Entrance is through Alley)
Los Angeles, CA 90026

FMI:
Dub Club on MySpace

9pm / $5 / 21+

with Resident DJs:
Tom Chasteen
Roy Corderoy
The Dungeonmaster
Boss Harmony

Spinning the best in classic reggae, dub and dancehall

@ Echoplex
1154 Glendale Blvd
(Main Entrance is through Alley)
Los Angeles, CA 90026

FMI:
Dub Club on MySpace

9pm / $5 / 21+

with:
Mad Professor || Listen

What separates The Professor’s work from that of other dub artists is his reliance on synthesized sounds; he religiously incorporates bleeps, whirs and other electronic machinations, allowing them to rhythmically collide with the more roots oriented vibes created by live guitar, bass, keyboards and horns. The Mad Professor’s oeuvre is filled with relaxed layers of steamy groove, intermittently injected with echo effects and gratuitous back masked vocal collages. All of which is seamlessly interwoven amongst tight grooves with serpentine agility, helping create a dense form of mellow, low-end ambient music. The overall effect is a soothing, low impact vibe. The Mad Professor continues to create captivating soundtracks consisting of searing mental mood music that’s just perfect for stimulating the inner soul.

plus Resident DJs:
Tom Chasteen
Roy Corderoy
The Dungeonmaster
Boss Harmony

Spinning the best in classic reggae, dub and dancehall

@ Echoplex
1154 Glendale Blvd
(Main Entrance is through Alley)
Los Angeles, CA 90026

FMI:
Dub Club on MySpace

9pm / $12 adv, $15 dos / 21+

with Resident DJs:
Tom Chasteen
Roy Corderoy
The Dungeonmaster
Boss Harmony

Spinning the best in classic reggae, dub and dancehall

@ Echoplex
1154 Glendale Blvd
(Main Entrance is through Alley)
Los Angeles, CA 90026

FMI:
Dub Club on MySpace

9pm / $5 / 21+

Spirit Army
The New Room || Listen

resident djs Michael Stock and Benny Shambles spinning mutant disco * Postpunk * indiepop

FMI:
Part Time Punks on Myspace

10pm / $5 / 21+

The Prids || Listen

resident djs Michael Stock and Benny Shambles spinning mutant disco * Postpunk * indiepop

FMI:
Part Time Punks on Myspace

10pm / $5 / 21+

The Tough Alliance
Din Glorious || Listen

THE TOUGH ALLIANCE are from Sweden.
they play a mad mix of PiL & Heaven 17 & jangly ridiculous sunshine.
they just signed to Modular.
um…
sometimes they lip-sync at their gigs.
check out Pitchfork. com for more info; they love’em.
and you shouldn’t miss ‘em, ’cause it’s their ONLY U.S. show
other than their South By Southwest gigs.

GLORIOUS DIN are from NYC.
their racket is best described as minimal synth.
sometimes they play naked.
they are all men.

resident djs Michael Stock and Benny Shambles spinning mutant disco * Postpunk * indiepop

FMI:
Part Time Punks on Myspace

10pm / $5 / 21+

BOOTIE LA
LA’s monthly mashup bootleg party is back at The Echo!

From San Francisco, live on stage, a special ALL-VIDEO MASHUP SET:
Party Ben

plus resident mashup DJs:
DJ Paul V. - From Indie 103.1’s “The Smash Mix”
Adrian & the Mysterious D - From San Francisco, Bootie creators

Bootie SF’s resident DJ PARTY BEN has been hard at work, retiring his “Party Ben Kenobi” persona and cooking up a brand new feature DJ set, “inspired” by last year’s Daft Punk tour!

While he won’t have a $2 million light-up pyramid, he will be incorporating tons of giant video and projections into his set for the first time, featuring clips put together by VJ Brewski and VJ Jaren, as well as his own mashup video creations. He did this show in San Francisco in January, and it was one of the best productions ever at Bootie.

Launched in San Francisco in 2003, Bootie was the first club night in the United States dedicated solely to the burgeoning artform of the bootleg mashup. Mixing and matching every conceivable musical genre, era, and style into one big dance party where everyone feels welcome, Bootie provides the soundtrack for the A.D.D. generation - with free mashup CDs given away like candy!

This month, Party Ben returns to the Bootie LA stage with a special ALL-VIDEO mashup set! Resident DJs Paul V., Adrian, and the Mysterious D keep your brain guessing and body dancing with creative song combinations, celebrating - and satirizing - the many different forms of music. Bootie… because one song at a time just isn’t enough.

FMI: www.BootieLA.com

9pm / $5 before 10:30pm, $10 after / 21+

Ed Harcourt || Listen

Ed Harcourt is a bit raffish and gloriously hungover, but also the best company you could imagine over a fried breakfast in Soho on a warm Saturday morning. He’s also hard-working, creative and sickeningly prolific. *The Beautiful Lie*, his fifth album in six years, in between outside projects with bands like Wild Boar and the Dead Thank Yous, is the latest in his line of inventive, adventurous records. And it’s the best thing he’s ever done. His new album is confident, expressive and moving, wide-eyed, big-hearted and hot-blooded, with a musical ambition that dazzles you. It’s an album he’s grown up with, and an album that wants you to grow with it.

with:
Everest || Listen
The Chapin Sisters || Listen

@ Echoplex
Enter at
1154 Glendale Blvd
Los Angeles, CA 90026

8pm / $12 / All Ages

with:
Darker My Love || Listen
The Icarus Line || Listen
Crystal Antlers
Hit Me Back
Tweak Bird

A benefit for Manny Neito’s studio and Matt Crunk

7pm / $10 / All ages

with:
Mezzanine Owls || Listen
The Mae Shi
Frankel || Listen
Eagle & Talon || Listen

Plus The HELL YA! DJS

8pm / $5 / 18+

Aushua || Listen

Reverb is making a huge comeback and Aushua is one of its biggest purveyors. Aushua was purely anthemic. They have studied U2’s playbook very well and are able to call a few audibles. I can see why Bronson likes these guys. Nathan Gammill (Guitars/Vocals) was strumming his battered Gibson SG to coax out some haunting reverb tones while providing soaring vocals. Eric Neujahr (Guitars) was providing the alternate reverb/delay tones on his Fender Thinline Telecaster. - Amateur Chemist

with:
Moris Teppe